Education
| 1994 | MFA, Mount Royal School of Art, Maryland Institute College of Art, Baltimore, Maryland, USA |
| 1992 | BFA, School of the Art Institute of Chicago, Chicago, Illinois, USA |
| 1988 | Brookhaven College, Dallas, Texas, USA |
Selected Solo Exhibitions
| 2022 | Metaphysically Yours – Bruises Under Conscience, Mizuma & Kips, New York, U.S.A. |
| 2021 | While I am Dead – A Prelude to Life, Mizuma Art Gallery, Tokyo, Japan |
| 2014 | Don’t we all want to be in tune?, MAC/VAL (Musée D’art Contemporain du Val-de-Marne, Vitry-sur-Seine, France Made in Asia, Fondation D’enterprise Espace Écureuil pour l’arte Contemporain, Toulouse, France |
| 2012 | Jun NGUYEN-HATSUSHIBA, Palais de l’ile, Annecy, France |
| 2010 | Thank you ありがとう Cảm ơn, Mizuma Art Gallery, Tokyo, Japan Breathing is Free: 12,756.3; New Work by Jun Nguyen-Hatsushiba, Rymer Gallery, School of the Art Institute of Chicago, Chicago, Illinois, USA |
| 2009 | Breathing is Free: 12,756.3; New Work by Jun Nguyen-Hatsushiba, ASU Art Museum, Tempe, Arizona, USA |
| 2008 | Jun Nguyen-Hatsushiba: The Globe Project in Beijing, Mizuma & One Gallery, Beijing, China Vietnam: A Memorial Work by Jun Nguyen-Hatsushiba (curated by Miwako Tezuka), Asia Society, New York City, New York, USA Jun Nguyen-Hatsushiba, Manchester Art Gallery, Manchester, UK |
| 2007 | The Ground, the Root, and the Air, Lehmann Maupin Gallery, New York City, New York, USA The Ground, the Root, and the Air, Mizuma Art Gallery, Tokyo, Japan Jun Nguyen-Hatsushiba (curated by Tim Wilcox and Susanne Neubauer), Kunstmuseum Luzern, Lucerne, Switzerland |
| 2005 | Jun Nguyen-Hatsushiba, Lehmann Maupin Gallery, New York City, New York, USA Jun Nguyen-Hatsushiba (curated by Lars Grambye & Fredrik Liew), Malmo Konsthall, Malmo, Sweden |
| 2004 | MAM Project 002: Jun Nguyen-Hatsushiba (curated by Mami Kataoka), Mori Art Museum, Tokyo, Japan Memorial Project Vietnam (curated by Alvaro Rodriguez Fominaya), Centro Atlantico de Arte Moderno (CAAM), Canary Island, Spain |
| 2003 | MACRO (curated by Danilo Eccher/Yuko Hasegawa), Museo d’Arte Contemporanea Roma, Italy Video Cube: FIAC 2003 (exhibited by Mizuma Art Gallery, Japan), Paris, France Memorial Project Nha Trang, Vietnam: Towards the Complex - For the Courageous, the Curious, and the Cowards, Kunsthalle Wien, Vienna, Austria Jun Nguyen-Hatsushiba / MATRIX 203: Memorial Project Vietnam (curated by Heidi Zuckerman Jacobson), UC Berkeley Art Museum, Berkeley, California, USA (traveled to: The New Museum of Contemporary Art (curated by Dan Cameron), New York City, New York, USA; Carnegie Mellon University, Pittsburgh, Pennslyvania, USA; Vancouver Art Gallery, Vancouver, Canada; Colby College Museum of Art, Waterville, Maine, USA; Austin Museum of Art, Austin, Texas, USA) Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious, and the Cowards (curated by Jane E. Farver), MIT List Visual Arts Center, Cambridge, Massachusetts, USA Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious, and the Cowards (curated by Elke Gruhn), Nassauischer Kunstverein, Wiesbaden, Germany |
| 2002 | Memorial Project Minamata: Neither Either nor Neither - A Love Story, Mizuma Art Gallery, Tokyo, Japan Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious and the Cowards (curated by Gregory Burke), Govett-Brewster Art Gallery, New Plymouth, New Zealand Video Cube: FIAC 2002 (exhibited by Gallery Chantal Crousel), Paris, France Jun Nguyen-Hatsushiba, Galeria Animal, Santiago, Chile Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious and the Cowards (video screening), De Appel, Amsterdam, Netherlands |
| 2000 | Xich Lo 2001: The Making of Alternative History, Mizuma Art Gallery, Tokyo, Japan |
| 1998 | In Between, Shiseido Gallery, Tokyo, Japan Individuals-Collections, Mizuma Art Gallery, Tokyo, Japan WWW.XEOM.COM, Blue Space Gallery, Ho Chi Minh City, Vietnam |
| 1997 | Dream, 29 Hang Bai Exhibition House, Hanoi, Vietnam |
| 1996 | The Mosaic Series Exhibition, Dallas Visual Art Center, Dallas, Texas, USA Studio Gallery: Sculpture Garden, Center For the Arts, Brookhaven College, Dallas, Texas, USA Trammell Crow Pavilion Gallery, Dallas, Texas, USA |
| 1995 | Photographs from Vietnam, SGI-USA Dallas Culture Center, Dallas, Texas, USA New Works 95:02, Jun Nguyen-Hatsushiba, ArtPace, San Antonio, Texas, USA |
Selected Group Exhibitions
| 2022 | Visionary Legacies: A Tribute to Harold J. Newman, Asia Society, New York, U.S.A. Indonesia Bertutur 2022, Apel Watoe Contemporary Art Gallery, Central Java, Indonesia Symbiosis: Living Island, Japan House London, U.K. |
| 2020 | Where the Tide Has Been, SeMA, Buk-Seoul Museum of Art, Seoul, South Korea What is Manchester Art Gallery?, Manchester Art Gallery, Manchester, U.K. They Do Not Understand Each Other, Tai Kwun Contemporary, Hong Kong |
| 2019 | Site Lines: Artists Working in Texas, Asia Society Texas Center, Houston, U.S.A. Symbiosis – Asia Digital Art Exhibition (ADAE), Beijing, China |
| 2018 | Collection Asian Landscapes / Awazu Kiyoshi: Makurihirogeru 5, 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa, Japan Kochi-Muziris Biennale 2018, Kochi, India EXit/ EXile/ Exodus: Voicing the Diaspora in Southeast Asian Contemporary Art, MAIIAM, Chiangmai, Thailand |
| 2017 | A Reunion with the Sea: Realism as Modern Asian Thought, Okinawa Prefectural Museum and Art Museum, Okinawa Prefecture, Japan A Corridor of Art through the Mountains and Seas, Onomichi, Hiroshima, Japan CAMK Collection vol.5, Contemporary Art Museum, Kumamoto, Japan |
| 2016 | Architecture Biennale 2016, with KAZUYO SEJIMA + RYUE NISHIZAWA / SANAA, Central Pavilion of Giardini, Venice, Italy MAM Screen 003: Crossing Visions - Japanese Landscapes Seen from Outside, Mori Art Museum, Tokyo, Japan |
| 2015 | Danger and Beauty. William Turner and the Tradition of the Sublime, Museum de Fundatie, Zwolle, Netherlands Immortal Present: Art and East Asia, Berkshire Museum, Pittsfield, Massachusetts, USA |
| 2014 | Waterscapes: The Politics of Water, Kumho Museum of Art, Seoul, South Korea Memory Palace, Contemporary Arts Center, Cincinnati, Ohio, USA Ohara Contemporary at Musabi, Musashino Art University Museum, Tokyo, Japan CHOREGRAPHIES SUSPENDUES, Carré d’Art, Nîmes, France |
| 2013 | Borderline II, 21st Century Museum of Contemporary Art, Kanazawa, Japan Ohara Contemporary, Ohara Museum of Art, Okayama, Japan Setouchi Triennale 2013, Okayama, Japan Running the City, Galleries UNSW, Paddington, Australia Zizhiqu - Autonomous Regions (curated by Hou Hernia), Guangdong Times Museum, Guangzhou, China |
| 2012 | ”Kashiwa City Jack” – Asia Pacific Contemporary Media Arts from Daisuke Miyatsu Collection, Kashiwa City, Chiba, Japan Lens on Twelve, Connaught Brown Gallery, London, UK Masterpieces from the Ohara Museum of Art, Hokkaido Museum of Modern Art, Hokkaido, Japan Do Not Destroy: Trees, Art and Jewish Thought, Contemporary Jewish Museum, San Francisco, California, USA CROSSING SEA(s), 2902 Gallery, Singapore Edge of Elsewhere 2012, Campbelltown Arts Centre, Campbelltown, Australia |
| 2011 | 4th Guangzhou Triennale, Back to the Basics - The Museum Per Se, Guangdong Museum of Art, Guangzhou, China Yokohama Triennale 2011 “Our Magic Hour”, Yokohama, Japan Invisibleness is Visibleness: International Contemporary Art Collection of a Salaryman - Daisuke Miyatsu, Museum of Contemporary Art Taipei, Taipei, Taiwan Roving Eye, Sørlandets Kunstmuseum, Kristiansand, Norway 8th Shanghai Biennale - Rehearsal, Shanghai Art Museum, Shanghai, China The River Project - Edge of Elsewhere 2011, Campbelltown Arts Centre, Campbelltown, Autralia Fugue in the Key to Understanding, Osage Kwun Tong, Hong Kong |
| 2009 | 6th Asia Pacific Triennial of Contemporary Art (APT6), Queensland Art Gallery and Gallery of Modern Art, South Brisbane, Australia Great works of the Ohara Museum - In pursuit of the precious paintings, Fukuoka Prefectural Museum of Art, Fukuoka, Japan 4th Fukuoka Asian Art Triennale 2009 - LIVE and LET LIVE: Creators of Tomorrow, Fukuoka Asian Art Museum, Fukuoka, Japan The Symbolic Efficiency of the Frame, Tirana Biennial, Tirana Institute of Contemporary Art, Tirana, Albania TransportAsian, Singapore Art Museum, Singapore NAUTILUS, Städtische Galerie Nordhorn, Nordhorn, Germany under Water / above Water, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany The Pramount, Boao Asia Contemporary Art Exhibition, Boao, China Moving Perspectives: Jun Nguyen-Hatsushiba / Fiona Tan, Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC, USA |
| 2008 | 3rd Guangzhou Triennale - Farewell to Post-Colonialism, Guangdong Museum of Art, Guangzhou, China 5th Seoul International Media Art Biennale - TURN AND WIDEN, Seoul, South Korea 1st Kuandu Biennale - I have a dream., Taipei, Taiwan 3rd Nanjing Triennale - Reflective Asia, Nanjing, China Traces of Siamese Smile, Bangkok Art & Culture Center, Bangkok, Thailand Off the Rails, Mizuma & One Gallery, Beijing, China Leaving Deep Water (curated by Minh Nguyen), SAW Gallery, Ottawa, Canada |
| 2007 | Have you eaten yet? - 2007 Asian Art Biennial (curated by Chao-Yi Tsai), National Taiwan Museum of Fine Arts, Taichung, Taiwan Grey Water, Institute of Modern Art, Fortitude Valley, Australia Thermocline of Art. New Asian Waves, ZKM|Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany Views of Water (curated by Shintaro Miyanaga), Yokohama Museum, Yokohama, Japan CIGE, China World Trade Center, Beijing, China |
| 2006 | Eyes & Curiosity from Tokyo, Chelouche Gallery, Tel Aviv, Israel Voices of Silence, Herzliya Museum of Contemporary Art, Herzliya, Israel Memorials of Identity: New Media from the Rubell Family Collection, Nasher Museum of Art at Duke University, Durham, North Carolina, USA 6th Gwangju Biennale - Fever Variation (curated by Binghui Huangfu), Gwangju, South Korea 1st Singapore Biennale, with the group “Mogas Station” (curated by Fumio Nanjo), Singapore ARS 06, Museum of Contemporary Art KIASMA, Helsinki, Finland |
| 2005 | FUSION. Aspects of Asian Culture in the MUSAC Collection, Museo De Arte Contemporáneo de Castilla y León, León, Spain IDFA (International Documentary Filmfestival Amsterdam), Amsterdam, Netherlands Anyang Public Art Project (APAP 2005), Anyang, South Korea Projections, Musee d’art contemporain de Montreal, Montreal, Canada Collection of Centre Pompidou New Media (curated by Christine van Assche), Caixa Forum, Barcelona, Spain Jun Nguyen-Hatsushiba: Memorial Project Nha Trang, Huis Marseille, Museum for Photography, Amsterdam, Netherlands Biennale d’Art Contemporain de Lyon (selected by Nicolas Bourriaud, Jerome Sans and Thierry Raspail), Lyon, France Experimenta Vanishing Point, Black Box, Victorian Arts Centre, Melbourne, Australia Variation Xanadu (curated by Chia Chi Jason Wang), Museum of Contemporary Art Taipei, Taipei, Taiwan 51st Venice Biennale, Always a Little Further (curated by Rosa Martinez), Venice, Italy First Acquisitionis, Opere dalla collezione della Fondazione Pinchuk, Venice, Italy Water, Water Everywhere (curated by Marilu Knode), Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, USA Selections from Moscow Biennale, National Centre of Contemporary Art, Novgorod, Russia 1st Moscow Biennale of Contemporary Art (selected by Rosa Martinez), Moscow, Russia |
| 2004 | Recent Acquisitions, Contemporary Works, Centre Pompidou, Paris, France Frieze Art Fair, with Lehmann Maupin Gallery, London, UK Encounters in the 21st Century, 21st Century Museum of Contemporary Art, Kanazawa, Japan Dazi Bao (curated by Hou Hanru), Universite de Jussieu, Paris, France Sevilla Biennale: The Joy of My Dreams (curated by Harald Szeemann), Seville, Spain 5th Shanghai Biennale – Techniques of the Visible (curated by Shengtian Zheng), Shanghai Art Museum, Shanghai, China Zone of Urgency (traveling show of 50th Venice Biennale, curated by Hou Hanru), Villa Zerbi, Reggio Calabria, Italy Movimento/Movimenti. Villa Cattolica, Bagheria (curated by Francesco Bonami), Sicily, Italy Slow Rushes (curated by Rhana Devenport), Contemporary Art Center (CAC), Vilnius, Lithuania Festival internazionale del film Locarno (curated by Harald Szeemann), Locarno, Switzerland WRONG SITE (curated by Pablo Fenago), Fundacion Luis Seoane, A Coruña, Spain At the Still Point of the Turning World (curated by Claire Doherty), FACT Centre, Liverpool, UK Artes Mundi Exhibition (curated by Tessa Jackson), National Museum & Gallery, Cardiff, Wales, UK VIS VITALIS, Centraal Museum, Utrecht, Netherlands Material Witness (curated by Margo A. Crutchfield), Museum of Contemporary Art Cleveland, Cleveland, Ohio, USA |
| 2003 | Bloom: mutation, toxicity and the sublime (curated by Gregory Burke), Govett-Brewster Art Gallery, New Plymouth, New Zealand How We Live, Queensland Art Gallery, South Brisbane, Australia Frieze Art Fair, with Mizuma Art Gallery, London, UK 8th Istanbul Biennial - Poetic Justice (curated by Dan Cameron), Istanbul, Turkey 50th Venice Biennale, (Z.O.U.- Zone of Urgency) Dreams and Conflicts - The Viewer’s Dictatorship (curated by Hou Hanru/Francesco Bonami), Venice, Italy Kaap Helder, Art from a Natural Source (curated by Peter de Rooden), North Holland, Netherlands The Moderns (curated by Carolyn Christov-Bakagiev), Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy Universal Strangers (curated by Rosa Martinez), Borusan Ar Center, Istanbul, Turkey |
| 2002 | URBANILENZ – Canon art project, Tokyo, Japan Video Zone, 1st International Video-Art Biennial (curated by Sergio Edelsztein), Tel Aviv, Israel Watching Ocean and Sky Together, Fourth Wall Liverpool (conceived for Liverpool Biennial; curated by Kathryn Standing, Elizabeth Ann Macgregor and Sandra Percival), Liverpool, UK Moving Collection, Govett-Brewster Art Gallery, New Plymouth, New Zealand Attitude 2002 (curated by Hiroshi Minamishima), Contemporary Art Museum, Kumamoto, Kumamoto, Japan Rio de Janeiro Film Festival (curated by Helmut Batista), Rio de Janeiro, Brazil Busan Biennial 2002 (curated by Kim Airyung), Busan, South Korea Extreme Protection: NIT NIU 2002 (curated by Rosa Martinez), Mallorca, Spain 13th Sydney Biennale: (The World May Be) Fantastic (curated by Richard Grayson), Sydney, Australia 25th São Paolo Biennale (curated by Alfons Hug), São Paolo, Brazil Cutting Edge: Tokyo, ARCO 02, with Mizuma Art Gallery, Madrid, Spain |
| 2001 | Mega-Wave - Towards a New Synthesis, Yokohama 2001: International Triennale of Contemporary Art, Yokohama, Japan |
| 2000 | Invisible Boundary: Metamorphosed Asian Art, Utsunomiya Museum of Art, Tochigi, Japan Invisible Boundary: Metamorphosed Asian Art, Niigata Prefectural Museum of Modern Art, Niigata, Japan Man & Space, 3rd Gwangju Biennale, Gwangju, South Korea |
| 1999 | Gap Vietnam, Haus der Kulturen der Welt, Berlin, Germany |
| 1996 | Critic’s Choice, Dallas Visual Art Center, Dallas, Texas, USA (Jurors: Dana Friis-Hanse, Senior Curator, Contemporary Arts Museum, Houston and Charles Wyllie, Curator of Contemporary Art, Dallas Museum of Art) |
| 1995 | Members Invitational, McKinney Avenue Contemporary, Dallas, Texas, USA Art in the Metroplex 95, Texas Christian University, Fort Worth, Texas, USA (Juror: James Surls) |
Awards
| 2005 | Nominated for blueOrange Prize, Berlin, Germany |
| 2004 | Nominated for Hugo Boss Prize, Guggenheim Museum, New York City, New York, USA Shortlisted for Artes Mundi Prize (selected by Nanjo Fumio, Declan McGonagle), Wales, UK |
| 2003 | Nominated for blueOrange Prize, Berlin, Germany |
| 1998 | Japanese Artist Living Abroad Award, Tokyo, Japan (funded by Shiseido Corporate Culture Department) Cartier Foundation for Contemporary Art, Paris, France |
| 1996 | NFRIG (New Forms Regional Initiative Grants Program), Mexic-Arte Museum & Diverseworks (funded by: The National Endowment for the Arts, Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts, Art Matters Inc.) |
| 1995 | ArtPace, A Foundation for Contemporary Art, International Artist in Residence Program, San Antonio, Texas, USA (Panel: Mary L. Beebe, Director of the Stuart Collection, University of California; Benito Huerta, Critic/Artist, Houston, Texas; Anthony Jones, President, The School of the Art Institute of Chicago; Richard Koshalek, Director, Museum of Contemporary Art Los Angeles; Lowery Sims, Associate Curator, Metropolitan Museum of Art, New York; Dianne Vanderlip, Curator, Denver Art Museum) |
| 1994 | Municipal Arts Society, Henry Walter’s Traveling Fellowship (VietNam), Baltimore, Maryland, USA (Jurors: Terrie Sultan, Curator of Contemporary Art Corcoran, DC; Jonathan Goodman, Associate Editor, Art News, New York) |
| 1992 | Phillip Morris Fellowship, Maryland Institute, College of Art, Baltimore, Maryland, USA 1st Prize, Texas Juried Competition, Stout McCourt Gallery, Dallas, Texas, USA |
Public Collections
| 21st Century Museum of Contemporary Art, Kanazawa, Japan Asia Society, USA Benesse Holdings, Inc., Japan Berkeley Art Museum and Pacific Film Archive, Berkeley, California, USA Fonds National d’Art Contemporain, Paris, France Museum Boijmans Van Beuningen, Rotterdam, Netherlands Museum of Contemporary Art, Los Angeles, California, USA MUSAC, Museo de Arte Contemporáneo de Castilla y León, León, Spain Centre Pompidou, Paris, France Guggenheim Museum, New York City, New York, USA Contemporary Art Museum, Kumamoto, Kumamoto, Japan Kadist Foundation, Paris, France Kunstmuseum Luzern, Lucerne, Switzerland Manchester Art Gallery, Manchester, UK MIT List Visual Center, Cambridge, Massachusetts, USA Monsoon Art Collection, London, UK Mori Art Museum, Tokyo, Japan Ohara Museum of Art, Okayama, Japan Fondazione per l'Arte Contemporanea Victor Pinchuk, Kiev, Ukraine Queensland Art Gallery, South Brisbane, Australia Rubell Collection, Miami, Florida, USA Singapore Art Museum, Singapore Stavanger International Collection, Stavanger, Norway T-B A21, Thyssen-Bornemisza Art Contemporary, Vienna, Austria TheatreWorks, Singapore Whitney Museum of American Art, New York City, New York, USA |
